Album: The Division Bell
Pink Floyd’s last album
closes with a song that has become a classic in their repertoire. It features
David Gilmour in top form, showing his songwriting skills are as good in this
final album as in the 70’s output of the band. The song has an anthemic tone,
featuring very passionate vocals from Gilmour and a steady and strong drum beat
by Mason. This anthem-like atmosphere is complemented by the piano line
delivered by the great Richard Wright, which keeps the listener on edge from
the first seconds of the song, expecting for the epic climax it announces.
High Hopes has plenty of
highlight moments. From the sound of bells in the intro to the incredible outro, the song displays Pink Floyd's most intense and melodic elements.In the first part of the song the band creates a mysterious and eerie atmosphere that sets the stage what comes after. They gradually build tension in the
mid-section, when an acoustic guitar solo takes the forefront over some
march-sounding drums by Nick Mason. All of this is always accompanied in the
background by an exceptional orchestration that takes over the song in its
second half.
The song ends with one
of the greatest outros the band has ever put out, with Gilmour giving an
extremely soulful solo, in pure Pink Floyd style. It plays over the beautiful
orchestration, Mason’s drumming and Wright’s piano melody, mixing all the
ingredients that conform the song into a monumental coda. The song slowly fades
as it ends in a melancholic but hopeful note, in the same fashion as the lyrics
of the song.
It is a fantastic song; it has a more compressed structure than some songs of the classic era that had a longer running time or where part of concept albums, still it captures in its 8 minutes all the key components of the Pink Floyd sound. It sounds as an anthem or a celebration of everything that has come before in Pink Floyd’s illustrious career, and it’s a fitting ending for one of the greatest bands of all time.
It is a fantastic song; it has a more compressed structure than some songs of the classic era that had a longer running time or where part of concept albums, still it captures in its 8 minutes all the key components of the Pink Floyd sound. It sounds as an anthem or a celebration of everything that has come before in Pink Floyd’s illustrious career, and it’s a fitting ending for one of the greatest bands of all time.
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